Each woman extends her reach to a subject she is outside of. Deborah StratmanĪ cross-generational binding of three filmmakers seeking alternative possibilities to the power structures they are inherently part of.
The voice tells a story about a not too distant past, a not too distant ruin, with traces of nostalgia articulated in terms of lore knowledge and memory passed down and shared not from wistful loss, but as a pastiche of rumination, reproduction, and creation.
Images of friends and landscapes are cut, fragmented, and reassembled on an overhead projector as hands guide their shape and construction in this film stemming from Hollis Frampton’s “Nostalgia”. New works from Canada, France, the US, and Guatemala.Ģ019 | USA/Ho-Chunk Nation/Pechanga Band of Luiseño Indians | 10 | video | Manitoban premiere Underground malls, Hollis Frampton, Weezer, and an ode to the musical Cats are featured among these highly idiosyncratic reflections on how we form dialogues with other artists and artworks, and the ways in which our self hoods are based around them. This program pays tribute to the creative works of others, surveying the subjectivity of fandom as a testament to the collaborative nature of making and remaking. 2.6 | Damien's Video Birthday Dance Party.4.2 | Dangerous Women + Women in Danger.
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